

Mr. Tambourine Man
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle jangle morning I'll come followin' you.
Though I know that evenin's empire has returned into sand,
Vanished from my hand,
Left me blindly here to stand but still not sleeping.
My weariness amazes me, I'm branded on my feet,
I have no one to meet
And the ancient empty street's too dead for dreaming.
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle jangle morning I'll come followin' you.
Take me on a trip upon your magic swirlin' ship,
My senses have been stripped, my hands can't feel to grip,
My toes too numb to step, wait only for my boot heels
To be wanderin'.
I'm ready to go anywhere, I'm ready for to fade
Into my own parade, cast your dancing spell my way,
I promise to go under it.
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle jangle morning I'll come followin' you.
Though you might hear laughin', spinnin', swingin' madly across the sun,
It's not aimed at anyone, it's just escapin' on the run
And but for the sky there are no fences facin'.
And if you hear vague traces of skippin' reels of rhyme
To your tambourine in time, it's just a ragged clown behind,
I wouldn't pay it any mind, it's just a shadow you're
Seein' that he's chasing.
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle jangle morning I'll come followin' you.
Then take me disappearin' through the smoke rings of my mind,
Down the foggy ruins of time, far past the frozen leaves,
The haunted, frightened trees, out to the windy beach,
Far from the twisted reach of crazy sorrow.
Yes, to dance beneath the diamond sky with one hand waving free,
Silhouetted by the sea, circled by the circus sands,
With all memory and fate driven deep beneath the waves,
Let me forget about today until tomorrow.
Hey! Mr. Tambourine Man, play a song for me,
I'm not sleepy and there is no place I'm going to.
Hey! Mr. Tambourine Man, play a song for me,
In the jingle jangle morning I'll come followin' you.
*
Listening to the lyrics this morning as the sky rolls out like a piece of blue satin at the back of a stage for birds to flit in and out from the wings, reminds me of much of what I have been reading in "The Maiden King" A book by poet Robert Bly and Analyst Marian Woodman.
In so many ways, modern life seems to have lost touch with the human soul.
There is a the newspaper critic's cynical undertone, the scientist's reductionism and the irony of the jaded comedian. A sense of conflict, disallusionment and weariness, threads through much of the media. Stitching the seams that connect the fabric of reality to the individual soul's hunger for truth, meaning and love.
Yet, somehow, these fragments, do not fit together to make a whole picture.
Something is missing in the doughnut shaped existence.
No more does the human soul find a place to rest and grow in the centre of our being.
The middle piece is deemed unnecessary, as reality moves further and further to the concentrated outer edges.
There is a bland kind of numbness to modern forms of work. People have become small cogs in an ever expanding machine that they can't fully understand, operate or have control over.
While " the outer edges" of everyday life, become a series of binges and purges. Too many calories with not enough sunstance or nourishment in them.
Far from the earth that grounds us, we live from product to product and idea to idea instead of season to season and ritual to ritual. Where once, songs, poems, stories and the blossoms on the trees would bring the fabrics of soul and body and heart and mind together with the stitches of metaphor, symbolism and beauty.
For thousands upon thousands of years humans have lived in such a way. Where the foundations of community and family absorb the shocks of life changing events and support the seasons of life from birth to death. Offering wisdom, nourishment while nurturing, security and a sense of place, worth and belonging.
Now the promises are so big."You can be whatever you want to be" echoes out from the megaphone of a political rally. Yet for those in poverty, the opportunities to make dreams a reality are few.
And for those who fail, the world labels them a "failure".
Souls are buried before bodies on ground like this.
Where is the centre of balance, the grounding, the foundations?
"Take me on a trip upon your magic swirlin' ship, My senses have been stripped, my hands can't feel to grip, My toes too numb to step, wait only for my boot heels To be wanderin'. I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way, I promise to go under it."
Like souls living on the periphery of consciousness, oppressing much of the underlying material where imaginations, dreams and memories are stored. We often walk between the lines of what we are and what we have to be.
Genetic memories that have not yet caught up, on an evolutionary level with the pace of modern life leave us somehow suspended somewhere between our soul and our physical reality.
As we traverse intricate social networks and career ladders our soul still sleeps in the forest studying leaves and catching fish.
These days, we try to avoid the forest more and more.
Yet the forest (the place where our soul rests) is a place where wounds are both made and healed. A place where compassion and understanding and forgiveness of ourselves can be accepted in our compassion, forgivness and understanding of others.
There is oftentimes lack of empathy and compassion outside of the forest.
On the urban streets of relativity survival instincts are given higher priority.
Desensitisation is essential to functionability.
In a poem or painting the forest is a shadow place where the light that falls upon us castes every curve and outline of our truth upon the ground. Hidden fears come out from behind the trees in the guises of bears or wolves or tigers, ready to devour. Yet the forest is a place where journeys are made and adventures found. It is a place of becoming. Prayer, brings the light that can reveal. But prayer needs stillness and being, which are often forsaken in the contemporary world of movement and doing.
"Though you might hear laughin', spinnin', swingin' madly across the sun,
It's not aimed at anyone, it's just escapin' on the run
And but for the sky there are no fences facin'.
And if you hear vague traces of skippin' reels of rhyme
To your tambourine in time, it's just a ragged clown behind,
I wouldn't pay it any mind,
it's just a shadow you're Seein' that he's chasing."
This ragged clown bears the happy painted face so many wear. Yet the song leads him to the sky where "there are no fences facin'".
No barriers between body and soul, conscious and unconscious, between the truth of who we are and the way we have been made to feel we ought to be to fit in to an ideal. Here we can stand naked and not be ashamed. We can be the child of God we were always meant to be.
For in the endless blue yonder above "there are no fences facin'" no perimeters around our inner being. This is no doughnut shaped reality.
There is only a child and the child rests in God, in wholeness.
This is not a place for shoes, but bare feet for the washing.
Here the clown is chasing his shadow, instead of his shadow chasing him. He is bringing the darkness out in to the light, to the surface, to the conscious.
The kind of deep rituals, (the bread and the wine), stories (the parables) poetry and songs (of either praise or lament) that used to help people connect to their souls to the earth, help them through the various seasons of their life (puberty, parenthood, sickness, old age etc...) and help them find their true selves within the collective consciousness, have been replaced by MacDonald's, film stars, coca cola, rock concerts, Movies and fashion designers. For some alcohol, cigarettes, and other substances fill the void that remains between their reality and their still sleeping dreams.
The rich and famous play out our stories for us within the pages of a thousand glossy magazines, without any deep understanding of the sacredness of the role they've been given. "The ancient streets to dead for dreaming" The ancient paths of discipleship, of learning how to find and come to terms with and forgive and accept and embrace changing seasons in life, are too dead on their feet upon these post modern streets, to teach us how to dream anymore.
In my poetry book "Falling Leaves" I wrote a dedication "To those who teach others how to dream" I don't mean sleep dreaming, or dreaming of winning the lottery, but the kind of dreaming that awakens our inner truths, the kind of dreaming that brings meaning into life, God into life.
The stories of Jesus do this, they are like a dream that awakens.
Yet for the first time in history God has been taken out of everyday life, ritual, initiation of young people, relationships, work, parenthood and family life and what is left is a hole that aches to be whole, that longs to be holy again.
"Though I know that evenin's empire has returned into sand, Vanished from my hand, Left me blindly here to stand but still not sleeping. My weariness amazes me, I'm branded on my feet, I have no one to meet And the ancient empty street's too dead for dreaming."
That last verse of the song reminds me of my husband's memories of communism. Yet their is resonation of his experience to, within much of the western world.
Growing up in a communist country means that the soul, the heart, the longings and the dreams of a person have to remain un-lived, un-manifested. They stagnate beneath the consciousness, beneath the painted face, within the shadows.
There is a huge national identity in a Communist country, that eats individual souls so that it may remain in power, bigger and stronger than any one of them can consume or defeat alone. Projecting an acceptable image in a country like this, is more important than being broken and real, and greed festers under the premise of shared economy.
All that is true is buried under a false placard of perfection. And people disappear, both figuratively and literally.
"Then take me disappearin' through the smoke rings of my mind, Down the foggy ruins of time, far past the frozen leaves, The haunted, frightened trees, out to the windy beach, Far from the twisted reach of crazy sorrow. Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow."
Yes, there is hope! and these words instinctively point to where that hope can be found. The hope comes from within. It is a deep longing. The longing is not even close to desire it is way deeper and older than that.
It is the dream that children have before it is carved out of their hearts for the sake of fitting in, knowing their place, not dreaming too big or damaging their future earning capacity by spending to much time playing in the mud, writing poetry or praying in the light.
It is the dream of "dancing beneath the diamond sky with one hand waving free."
"With all memory and fate driven deep beneath the waves,"
It is about being, simply being in the moment with oneself. Unattached to position, name, age, rank or number.
Mr. Tambourine man plays a song of freedom that leads the body along a path that reunites it to the soul.
It's a shaman song, it is an old hymn, it is, in it's way a beautiful prayer. Yes.
"In the jingle jangle morning I'll come followin' you."
Living true.
*
Photo Credit: .Lal Khan : Click the link to read the story of the broken window.






